Volume ELEVEN of a collection of square-format artwork, featured by colours that complement each other.
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January 12
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Jan 12, 2009, 11:38:24 PM
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Saiyans are powerful warriors. Get in their way and you're finished.
Like to go to war?..then this is the place for you. [link]
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"Elements? Earth Fire Air and Water? But... but the Periodic table says there are 92!!!!"
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Saiyans are powerful warriors. Get in their way and you're finished.
Like to go to war?..then this is the place for you. [link]
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"Well, I like bridges." - Franz Kline
Like flora? Visit my Stock account ~herbariumStock
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"Elements? Earth Fire Air and Water? But... but the Periodic table says there are 92!!!!"
I like this one the best but I'm looking at it as a separate piece than the other half. Composition is so important in abstract and chopping them up makes it really hard to appreciate your intent... although it's a great way to bounce off of one piece to another. My abstract ATCs almost all started as unsuccessful larger pieces that had good things tucked in with the craptastic.
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"Well, I like bridges." - Franz Kline
Like flora? Visit my Stock account ~herbariumStock
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"Elements? Earth Fire Air and Water? But... but the Periodic table says there are 92!!!!"
Non-representational can be difficult to communicate with because the viewer (at sometimes even the artist in the beginning) has no point of reference except what they bring to the table themselves. I like leaving mine open to some interpretation but I know some abstract artists that are very particular about what they want to convey and do not take very kindly to misinterpretation.
If you're wanting a place to explore mark-making, media and so on, of course more abstract studies would be great to do! I haven't really seen you use the soft pastels before (that's what this is, right?) and playing with them this way can really help you learn the media.
Personally I find that I'm way more obsessive about my abstract work than realism (which is partially why I'm poor with realism... I tend to get lazy and feel that close is good enough) as I get very involved with EVERY mark put down and where I want to push that mark in relation to the rest of the piece. It's why I was kind of disappointed with the digital painting I did of that photo of the copper coil - It was just copying more than anything and I didn't feel like I moved the idea to the next level... but my intention was to learn the media more than anything so I suppose I was somewhat successful in that regard.
What I'm saying is you need to decide what you want to do with abstract and why you want to do it to answer the question of whether it's worth it to put more of your energy into.
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"Well, I like bridges." - Franz Kline
Like flora? Visit my Stock account ~herbariumStock
I think it's probably well worth my time to learn much more about other abstract artists. The different schools and techniques they employ. I keep going back to being inspired by Frank Lloyd Wright. He's my current favorite artist. I pretty much am familiar with Picasso, Mondrian, some Klee, Jackson Polluck but these are such a small segment of what's out there.
The approach I took YEARS ago to my art was just doing whatever seemed natural. My mom was trained in art in high school and has often given me advice/direction. It's been years since I've taken an art class. But I know now that's just a part of it. That there's a great deal of deliberation and conscious planning to some of it. And a great deal of experimentation just like with science.
I continue to enjoy the feedback you give me on my work. It really helps/inspires me.
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"Elements? Earth Fire Air and Water? But... but the Periodic table says there are 92!!!!"
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